#59 Chorei
Been indoors all day rehearsing. As I got home and the sun was still out, I couldn’t help and went for a bike ride. Not only was it too cold, but at some point, tears started dropping for no reason and I couldn’t open my eyes. Air was too chill? Staring straight at the sun? … Continue reading #59 Chorei
#58 Ernest Shand
The guitar has always been my true love, and although I have been having an affair with the mandolin in the past few years, I just can’t help myself and fell in love with the Portugues guitar. As I was busying looking for the method, A Complete Method for Portuguese Guitarra by Havelock on the … Continue reading #58 Ernest Shand
#57 The Lick
Made some long drives over the weekend with my buddy Mike, and as the driver, he also had full control of what we listened to. He showed me a live reggae show that he enjoys: Rockpalast Live 2019 by Richie Spice and the Element Band. While I loved how tight the band and the arrangement … Continue reading #57 The Lick
#56 Why reggae – episode #3a
It must just be a self-romanticized thought, but I have always felt an indirect connection between Jamaican and Hong Kong – both were British colonies, and both are islands with extremely hot and humid weather. Yes the connections are superficial, but for a Chinese teenager to make a reggae connection, that was more than enough. … Continue reading #56 Why reggae – episode #3a
#55 Adagio from Concierto de Aranjuez
Listening to Leo Brouwer’s arrangement of the Adagio (second movement) of the Concierto de Aranjuez (from the collaborative album Leo Brower Con Irakere), I was reminded of two arrangements of the same piece performed by jazz musicians: Concierto de Aranjuez (Adagio) by Miles Davis (on his album, Sketches of Spain, arranged by Gil Evans); and … Continue reading #55 Adagio from Concierto de Aranjuez
#54 How it all started – 7
Back in the day (90s and early 2000s), students in Hong Kong had to do two public exams: the HKCEE and HKALE. They were the type of exams that could determine one’s life, as the results would count toward university application. I took my HKCEE in 2000, and having achieved a big task (without knowing … Continue reading #54 How it all started – 7
#53 Leo Brower con Irakere
Visited the Bop Shop the other day, and thought I would spend some time to dig through the classical guitar and “world” sections. It turned out I did not check any classical guitar records at all, because there were already too many cool “world” records I would like to buy. Of the 4 records I … Continue reading #53 Leo Brower con Irakere
#52 Jules, why? – 3
(Continue from Jules, why? – 2) Giulio Regondi did not leave us a guitar method. Just for fun, I looked a bit at his New Method for the Concertina and Rudimenti del Concertinista, hoping it might give hint of his musical insights. Maybe even an explanation of why a guitar virtuoso picked up the concertina? … Continue reading #52 Jules, why? – 3
#51 Obituaries for Giulio Regondi from The Musical World
Below are two obituaries of Giulio Regondi published in The Musical World on May 18, 1872 (p.315) and May 25, 1872 (p.332) respectively. The original is actually quite readable. I just typed it out for my own reading convenience. May 18, 1872 It is almost two years since the above well-known name was no longer … Continue reading #51 Obituaries for Giulio Regondi from The Musical World
#50 Jules, why? – 2
(continue from Jules, Why? – 1) Another mystery about Regondi: why did he pick up the concertina? And, if he needed a second instrument, why the concertina? It’s so unfair: Regondi ended up writing two concerti and a method book for the concertina, but not for the guitar. (At least there are pictures of young … Continue reading #50 Jules, why? – 2
Follow My Blog
Get new content delivered directly to your inbox.
Ken Luk 